Way since their emergence in 2the ninth and tenthĬenturies, covering a whole range of subjects, from panegyrics, lyrics, laments and reflections to history, epics, romances, Ĭlassical Persian literature in general and poetry in particular had come a long On morals and manners, with the result that, as noted below, they overshadowed his more than 700 lyrics and love songs, whichĬount among the finest ever written by Persian masters. Prose Golestan and, to a lesser extent, his long poem Bustan In both East and West he was most admired for his book of Intellectuals, writers and humanists in the centuries to follow. Translated into European languages from the seventeenth century onwards and had a considerable impact on European philosophers, He was a contemporary of Rumi (though they are unlikely to have known of each other)Īnd, despite significant differences in thought and style, influenced the poetry of Hafiz in various ways. His verse in a letter, and shortly after whose death Chinese singers could sing one of his lyrics without Born in the seventh century of Hijra, thirteenth of the ChristianĮra, he is the only Persian luminary whose fame was so widespread that during his lifetime a Turk in Anatolia could quote
Parrot fashion love lyrics series#
The tracklisting of this album is a series of readings which include excerpts and not always the whole of the original verse.Is one of the greatest classical Persian poets of all time. Recording engineers: Mike Hernandez, Pepe MayrenĬharles Deenen at Interplay, Mark Creamer at Sounder Recording Studios, Daniel & Irena Prager. *Song Of Myself (Music) ‘El despertar del mago’Ĭomposed, Performed and Produced by: Antonio Garcia Isaac Music Created and Arranged by: JJ SMITĬreative Assistant: Valerie Bryant / Trudy Reynolds Mixed and Mastered by: JJ SMIT at Roseland Recording Studios, Moorpark CA and Interplay, Irvine CA on Euphonix TM.Įxecutive Producer: Trudy Reynolds / JJ SMIT Recorded at Roseland Recording Studio by JJ SMIT.Īdditional Recording at Sounder Recording Studios, Granada Hills, CA. A special thank you to Daniel and Irena Prager for their support which will allow us to continue in our work.Īll Tracks Except * Produced by JJ SMIT – 310 Entertainment.
A personal thank you to Terence Trent D’Arby, I appreciate his assistance and encouragement in the formation of the Academy. Thank you to all the students of at the Academy of European Arts and Culture.
To JJ SMIT, who walked me through the technical world of recording, for his patience with my inexperience and for his production of this project and creation of the great musical score. I would especially like to thank: Trudy Reynolds, for having this vision as well as the foresight to understand our aim. It is the aim of the Academy to open these envelopes, apply and resurrect their contents. However, each discovery had become the property of the professors who stored and amassed it unused and only repeated it parrot fashion, passing it faithfully in a sealed envelope, unopened from generation to generation. When I began my spiritual quest in earnest, it was to the past I looked and consequently uncovered the most sublime answers, which for various reasons became lost or misunderstood.Īt the Academy Of European Arts and Culture, we researched into Europe’s past and realized it was not spiritually barren, as most people thought, but rich and ripe in its understandings. Since the beginning of civilization man has asked the same questions and has applied himself diligently to seeking answers. In today’s world where people are searching for answers to their deepest questions about man, his soul and their respective destinies, it is easy to overlook the fact that we are not the first generation of human beings.
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